Seattle Wedding Photographer

Jody and Mike at WAKE
I have been finishing up editing the wedding pictures of Jody and Mike and should be done by tomorrow, but I had to stop and post this one photo I made of them at the Seattle Art Museum’s Olympic Sculpture Park. We went there to make some portraits of the wedding couple alone and with their wedding party. The light was very nice just before sunset. that day had been raining but we had the usual sun breaks at just the right time for pictures. I have always loved the sculptures of Richard Serra the piece of his they have there, WAKE is one of my favorites. Wake, 2004, consists of 10 plates, 5 sets of locked toroid forms made of weatherproof steel. Back in the days when I was on staff at New York Newsday in the 1990’s, I was assigned to photograph Richard at the Museum of Modern Art and found him to be a wonderful person as well as an artist. There was an installation there that was interesting but I think seeing WAKE out in the open,  under Seattle skies, it surpasses that presentation.
Anyway I made a number of portraits of Jody and Mike and the wedding party around WAKE and then we were breaking up and moving on to another location in the Garden when I noticed Jody and Mike stealing a kiss. Everyone one else appears in their own world by they are together in one of their own.
It was a great moment and seems like a good example of a wedding photograph that tells the story of their day in one moment. Come back soon and see the rest of the photos as I select the pictures to make up their wedding photo story.

“For Richard Serra, space is a substance as tangible as sculpture. He uses materials and scale to alter perception and to engage the body, encouraging consciousness of our relation to space. The towering, curved steel forms of Wake were achieved with computer imaging and machines that manufacture ship hulls, including a demilitarized machine that once made French nuclear submarines. It is composed of five identical modules, each with two S-shaped sections positioned in inverted relation to one another—gently curving serpentines of convex and concave parts that suggest tidal waves or profiles of battleships. The surface of acid-washed, weather-proof steel reinforces this industrial effect. Wake’s powerful silhouette belies a complex configuration of parts: the whole cannot be known at once, only experienced with physical movement and progressively over time.”
From Seattle Art Museum Website Description.

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